Dual-surface 93 lb. sketchbook with textured and smooth sides for mixed media. 25% cotton, acid-free, archival paper with a durable, customizable cover.
Affordable, professional-grade 140 lb cold press watercolor paper made with 100% cotton. Textured, natural white surface ideal for watercolor, gouache, and mixed media.
Ohuhu double sided marker pads are truly bleedproof. This marker pad has 60 sheets of acid-free, 90lb. paper. The smooth eco-friendly paper has a cool white tone. The glue bound spine allows for easy sheet removal. Binding lays flat!
Hahnemühle Ingres Pastel Paper is a 100gsm, acid-free, vegan paper with fine texture, perfect for pastel, pencil, and red chalk. Pads contain 20 sheets in natural white or assorted colors with two deckled edges.
The Fabriano Fat Pad Collection offers premium, high-sheet-count pads for watercolor, drawing, and mixed media. Made in Italy, designed in California, and built to last for students and professionals alike.
Fabriano Black Black Pads feature 20 sheets of 140lb., rich black paper. Suitable for mixed media projects including colored pencil, light water media, gel pens, and more. Also a good choice for paper crafts and presentation.
The Hahnemuehle Grey Book contains 40 sheets of 55lbs non-absorbent paper with a light grey tone. This slim book with a hardcover has a luxurious feel that inspires artists. Ideal for working with India ink, fountain pens, and other water-based pens.
Hahnemühle The Collection Watercolour paper is 100% cotton rag, mould-made, and available in 300gsm and 640gsm weights. Choose from cold press, hot press, or rough surfaces. Exceptional durability for masking, lifting, and multilayer work.
Heavyweight white sulphite art paper has a natural color and medium tooth. The extra sizing on this paper makes it a great choice for all types of media. Excellent for ink, pencils, markers, oil pastels, charcoal, and is suitable for most wet media.
Strathmore 400 Series Toned Sketch Pads offer 80 lb acid-free, recycled paper in Warm Tan, Cool Gray, or Steel Blue. Ideal for light and dark media. Wire-bound, actual-size sheets.
Grumbacher Mixed Media Pads offer 98 lb white acid-free paper with a medium-tooth texture. Great for dry media and light wet washes. In & Out wire-bound pages. Made in the USA.
This tape-bound pad features heavyweight white drawing paper, perfect for creating professional-quality sketches and final drawings with pencil, pen and ink, charcoal, or markers.
Strathmore 300 Series Bristol Vellum Pad features 100 lb (270gsm) acid-free paper with a textured surface ideal for pencil, charcoal, oil pastel, sketching stick, and mixed media. An economical, versatile option for artists of all levels.
Stonehenge Legion Thai Chiri Kozo is a lightweight, semi-translucent paper made from sustainable mulberry fiber. With natural bark inclusions, it’s ideal for block printing, eastern calligraphy, restoration work, and lampshade making.
Fabriano EcoQua Notebooks feature 80 sheets of Bioprima white 24 lb. FSC-certified paper. With a sewn binding, canvas-textured lightfast cover, elastic closure, ribbon bookmark, and internal paper pocket. Available in lined, dotted, or graph paper.
Masa paper (often referred to as affordable Hosho) is machine-made of sulphite pulp, bright white and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects.
Vision paper pads have medium-tooth drawing paper that provide easy blending, shading and a strong surface for clean erasure. An ideal choice for dry media studies. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets.
Canson XL Bristol Pads feature heavyweight 100 lb. bright white bristol paper with a smooth or vellum surface. Excellent for pen & ink, markers, pencil & colored pencil. Acid-free.
PaintON Mixed Media pads offer the perfect surface for both dry and wet media. The paper is deep dyed so that the toned shades are exceptionally rich without a white core and is double-sized for remarkable wet strength and pigment vibrancy.
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